top of page
  • Bildschirmfoto 2026-01-26 um 19.10.33
  • Instagram
  • Spotify
  • Bandcamp
Crows_Cover_01.jpg

Crows With Golden Wings

This recent orchestral project was created as a full-scale cinematic production. Over the course of several weeks, I composed and produced an original score that was recorded with a live orchestra in Budapest, involving nearly 60 musicians, engineers, and collaborators. The music explores a wide emotional range – from raw, epic intensity to quiet, intimate moments – and deliberately moves beyond genre clichés in favor of a modern, story-driven cinematic language. The project reflects my approach to film scoring: treating music not as a mock-up, but as a finished, living part of the narrative.

MoaS_Nils Wrasse_klein.jpg

A Calling. From The Desert. To The Sea

To avert a predetermined fate, twelve-year-old Yasmin and her older sister Ahlam escape beyond the boundaries set by their father, defying an enemy that lies within, in order to reach a mythical sea. The music explores a wide emotional range – from raw, epic intensity to quiet, intimate moments – and deliberately moves beyond genre clichés in favor of a modern, story-driven cinematic language. The project reflects my approach to film scoring: treating music not as a mock-up, but as a finished, living part of the narrative.

Tala Test.png

Tala'Vision

Trapped in a war ridden reality, with the hope of one day playing in the neighborhood’s football field, 8 year old Tala finds solace and freedom in a forbidden television. However, the secret TV becomes a matter of life and death.

-MS_ALBUM COVER.jpg

Maple Seeds

Maple Seeds is my second solo album, entirely performed and recorded by me. Some pieces...

Nils Wrasse_Geister.jpg

Geister

This is my first solo album. It's an experimental journey where I explored the possibilities given by my instruments. The music explores a wide emotional range – from raw, epic intensity to quiet, intimate moments – and deliberately moves beyond genre clichés in favor of a modern, story-driven cinematic language. The project reflects my approach to film scoring: treating music not as a mock-up, but as a finished, living part of the narrative.

© 2026 by Nils Wrasse

bottom of page